Saturday, May 31, 2025

English Gardener’s Cottage Up to date as Visitor Quarters by Max Rollitt

max rollitt interiors garden cottage kitchen by chris horwood 6

Max Rollitt’s bio begins: “born into the world of antiques.” His mom had her personal store in Winchester, England, and, after learning cabinetmaking, furnishings design, and restoration, Max opened his personal store throughout the road and later took over the household enterprise.

“Do you will have one other chair like this?” inside designers at all times requested. And so Max put his expertise to work and launched Max Rollitt Bespoke, a group of traditionally-made, antiques-inspired furnishings. One other buyer gave Max free reign to design the rooms in an previous vicarage, and that launched his profession as, in his phrases, an “intuitive dealer-decorator.” Max’s triple-barreled enterprise is now set on his personal Hampshire farm in a transformed barn that homes his emporium and workshops. He and his spouse, Jane, stay subsequent door: see The Pleasure of Discovery.

A number of years in the past, considered one of Max’s longtime regulars commissioned him to assist restore a close-by Regency property, and not too long ago known as the workforce again to remodel the property’s gardener’s cottage as a spot for her company to remain. Be part of us for a tour of this full renovation/restoration designed to look “freer in spirit” than the principle home, and as Max says, “untouched,” as if the weather all landed in place over time.

Images by Chris Horwood, courtesy of Max Rollitt (@max_rollitt)

the cottage was built in the late 19th century out of yellow brick and has its 17
Above: The cottage was constructed within the late nineteenth century out of yellow brick and has its unique slate roof and decorative trim. It’s surrounded by a wild flower meadow, a theme Max continued indoors.

He describes the home pre-renovation as “designed to look fairly however with little consideration for the occupant. Earlier than we began, it was very drained and in determined want of the love.”

the sitting room is painted in cinnamon from edward bulmer: see
Above: The sitting room is painted in Cinnamon from Edward Bulmer: see “Pure, Not Plastic” Paint. Most of the furnishings got here from the purchasers’ personal antiques collections and embrace items bought from Max through the years. The couch is recovered in Tissus d’Hélène’s wool-linen Harri Stripe and the curtain cloth was sourced from Claremont. The Hare, Partridges, and Pheasant collage is by modern artist Mark Hearld.


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