Set inside a forested enclave alongside the shoreline of Northern Zealand, Denmark, Visitor Home No.16 was inbuilt 1934 as an annex to an Italianate guesthouse. Lately reimagined by Copenhagen agency Norm Architects, the villa has been up to date with new stucco, paneling, staircases, and shutters, restoring its Neoclassical character in measured element. Daylight strikes throughout limewashed partitions and pared-back interiors, evoking the work of famend Danish artist Vilhelm Hammershøi.
The home is a up to date tackle the Danish seaside lodge, the place Italian refinement meets Scandinavian readability. Six visitor rooms occupy the higher flooring, whereas the bottom stage unfolds as a sequence of areas composed with bespoke lighting and furnishings by Norm Architects. The result’s each historic and fashionable—reimagined with restraint. Right here, a better look.
Above: Certainly one of two engraved plaques in Italian stone with the No. 16 brand is a part of a visible id created by designer Christian Møller Andersen. Above: The outside maintains authentic limewashed partitions in pink and ochre. Above: A pair of classic Eighties Pierre Chapo stools on the entryway. Above: The partitions all through the home are completed in a customized palette of lime paint by St. Leo. Above: The Norm Architects N-PL01 Pendant Lamp hangs above the eating room desk. Above: A group of ceramics was created by Copenhagen-based Ancher Studio for Visitor Home No.16. The gathering is made up of speckled glaze earthenware to evoke the encircling seaside panorama. Above: The lounge is separated from the kitchen by a newly constructed Swedish tiled range in white ceramic and brass detailing. Above: The kitchen is designed with Italian limestone counter tops with a bush-hammered end. The tap is a Quooker Fusion Faucet in patinated brass.
