Thursday, February 26, 2026

Tides and Timbers – FineWoodworking

Synopsis: Peter Pierobon’s sequence of Tidal furnishings was impressed by his encounters with logs strewn on the seashores alongside the west aspect of Vancouver Island. The contact factors on these items are very small, so structural integrity is essential.

A number of occasions a 12 months, Peter Pierobon and his spouse go tenting on the rugged west coast of Vancouver Island, a spot he describes as “actually wild and completely gorgeous.” Surf-smoothed logs are strewn on the seashores, and when a storm comes by way of, he says, “it stacks them up—you may have a pile of logs 20 ft. excessive, all interconnected and interlocked, ready for the following storm to rearrange them.”

The dramatic sight of these stacks discovered its method into his sketchbook and, together with different parts of coastal ecology, impressed his sequence of Tidal furnishings.

Though he generally incorporates driftwood in his work (and concedes that he’s “that man you see pulling logs out of the surf”), these items are produced from 12/4 lumber—mahogany or sapele for the natural-finished ones, and poplar for these which might be ebonized. Composing with these parts, he explains, “is difficult as a result of the contact factors are very small; you’ll want to take note of the structural integrity of the thing.”

A former scholar after which worker of Wendell Fortress, and for a few years afterward a instructor himself, Pierobon is effectively versed in conventional wooden joinery, however he discovered that the logical connections for these items have been bolts and threaded inserts secured with epoxy.

—Jonathan Binzen

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